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SIX BOOKS REVIEWED IN 2010 BEST PLAYER

In 2010 I read less than they would have wanted. All's well there. These are only my opinion, my six best readings of this year, a the date of this post, just shortly.
1 º THE ROAD, by Cormac McCarthy. 2 º
Blood Meridian, by Cormac McCarthy.
3 º AMERICAN PSYCHO, by Bret Easton Ellis. THINGS
4 º del Campo, José Antonio Muñoz Rojas.
5 º Fahrenheit 451 by Ray Bradbury.
6 th fire on the plains, Ooka Shoei.

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(Bernhard Schlink)


Bernhard Schlink was born in Bielefeld (Germany) in 1944. You judge. For his way of writing, it shows. As can be read
on the back, The reader is a very winning novel. Has been awarded in Italy, France and Germany. Pity that literary prizes are not guarantees of unquestionable quality.
With a first-person narrator tells the story in the past, the novel is short, about two hundred pages. It is divided into three parts that follow a chronological order. The chapters dealing with just a couple of pages, making it very comfortable to read.
Schlink's writing is correct, just that. Right to an expert, I mean. It is very expressive, uncommunicative, cold. Looking back I can not remember a single metaphor, which gives little idea of \u200b\u200bfeeling it conveys.
In the first part, I find nothing remarkable. No way to tell, neither the language, as I say, not history itself, show something new or original in form or in the background. Schlink misses an opportunity to prepare the ground to soften the reader, to make you feel the feelings of the protagonist, a teenager. If adolescents feel ... Being a teenager is exude sensitivity, sentimentality, fear, tears, love, desire, sadness, happiness, laziness, nervousness, curiosity, daring, naivete, ignorance, sexuality ... And to say if over sex with a woman Thirty-something.
The author observes only tell the story from the viewpoint of a narrator Once adult. And the result is more like a report than a novel.
In the second part, the novel shows a slight inflection point, which starts an upward trend if only for the short turn which gives the story. Moreover, Schlink, is still as stingy as the first part, to the point where the protagonist keeps relationships, even with its university partners. So the protagonist's psychological profile is shown only through reflections and not through their relationship with others. Only focuses the attention of history towards the two protagonists.
To make matters worse, the plot twists are a couple of rights, which the author does not want, or show unable to hide until required. Become visible long before they uncover in the narrative.
Between the second and the third appears most interesting part of the book. Using the main character, Schlink, a brief reflection on the ongoing review that makes the German people of its immediate past. Reflection necessary for a country that is representative of the economic and social progress achieved since the Second World War.
In the third part only greed should be noted again this sentimental writer. At one point in the novel, the protagonist cries.
While director spoke, I was kneeling looking at the pictures and notes and stifling tears. When I turned around and sat on the bed, he said,
"I was so eager that you write ... just received correspondence from you, and when handing out the mail asked:" Is there no letter for me? "(... )
I went back to silence. Could not talk, just babble and mourn. Schlink
can not show tears, unable to convey the emotion of the moment. As a writer has to tell us what the narrator, the protagonist himself, the novel and mild tears. All very cool.

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RUN, RABBIT (John Updike)


John Updike was born in Pennsylvania in 1932. Is considered one of the great writers of the twentieth century American literature. He died in January 2009.
Run, Rabbit was published in 1960. Dense, sandy
reading. Novel set in a hurtful mediocrity in a gray landscape. With the way of narration by John Updike, frustration, identified as failure, and forge ahead, stick to the reader as a sticky spider web.
feelings and passion displayed only when unavoidable and do so with a little crust of sincerity and full of selfishness, only unrelated to the immediate pleasure: pure hedonism (again). Given a history
so overwhelming, the reader intends to fluid passing through the story, slipping as comfortable as possible for suffocating the surrounding environment. But Updike manages to retain the advance at will, and one gets the impression of running down the slope of a giant dune, and was forced to smear the weariness that surrounds the characters, deepen their frustrations, their failures. With a script
clay, sometimes muddy and barren in the past, highlighting the development of excessive detail of the scene, and therefore the plot, but that becomes the center of attention with a haunting description of the most unexpected by minors, the author makes it clear: if you want to keep reading, you get wet. If you do not want to feel what feel my characters, closes the book.
is skilled with chopsticks and eating well is nice to see her, one hand on the lap with palm up. A rabbit likes to see how your head down, the thick neck forward and upward the large tendons in the shoulder to bring her lips to snack subject only to the necessary pressure between the sticks. It is curious that plump women have that finesse. At another point
writes:
Smiling with relief, he entered upon his elbow and cheek kisses loose fleshy, admiring his tenacious porous texture.
management is forced out of metaphors. Unlikely metaphors, very original and very literary yet.
Joyce looks at him and, as a sheet undulates, fear angle pulls a face. Seems on the verge of tears.
Other:
The baby whines indefatigable, lies in the crib and produces an irritating noise somewhat forced, as a weak and persistent rash on the interior door. What do you want? Why not sleep?
The original technique and the thorough development of the psychological profile of the characters has needed to finish. This is a novel consistent, high level, which forces the reader Updike wet, until finally running with the main character ... Run, run.